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Christ’s descent into Limbo.

England, second half of 15th century.

Carved alabaster relief  32 x 26 cms. on modern black painted steel stand.

Although the top part of this panel has been lost, the carving retains its impact as a work of art.  It is also of much art historical interest in relation to the sources used by the alabastermen, the iconography of the panels and their methods of production. 

This is a rare subject, for which the Golden Legend is clearly the main direct or indirect source. The panel represents the apocryphal story from the gospel of Nicodemus, which is retold in The Golden Legend, of how Christ descended into Limbo to lead out from Hell Adam and the patriarchs and prophets of the Old Testament who had died before he redeemed mankind. 

Christ stands on the right of the panel.  He wears a three-quarter length robe which hangs from his shoulders, leaving his chest bare, and a full-length cloak with broad sleeves.  His feet are bare.  His head is missing.  In his left hand he would have held the cross-staff of the Resurrection but this is lost.  His right hand grasps the right hand of Adam as he ushers him from the jaws of Hell.  Adam, with a scrolled beard, is naked.  He raises his left hand in acknowledgement of Christ.  He is followed by Eve, again naked, with her hands clasped in prayer.  In the background is the right leg of another figure emerging from Hell whose face would have been in the lost section of the panel.  Behind Eve, the left side of the panel is taken up by the enormous jaws of Leviathan representing the jaws of Hell.  Again, the uppermost part is lost.  It may have been surmounted by a representation of a devil as the gatekeeper of Hell. 

The composition is spacious and the carving is sophisticated and elegant. 

Dimensions

32 x 26 cms.

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Condition report

The upper quarter of this dramatic image is missing.  The condition of the surviving part is generally reasonable.  There is some surface wear but the only other loss is Christ’s cross-staff.  There is some chipping on the lower edge of the base.  There are surviving traces of polychrome decoration.  There is red on the lining of Christ’s cloak and on the jaws of Leviathan, green with flowers on the foreground and green on the middle distance background. 
Open by appointment and at fairs

The BADA Standard

  • Since 1918, BADA has been the leading association for the antiques and fine art trade
  • Members are elected for their knowledge, integrity and quality of stock
  • Our clients are protected by BADA’s code of conduct
  • Our dealers’ membership is reviewed and renewed annually
  • Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees
Click here for more information on the BADA Standard