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Thomas Robins the Elder.

Portrait of a Sportsman with two Spaniels in a wooded landscape.

Gouache on vellum, in an 18th century carved pearwood veneer frame.

22.2 by 26.3 cm., 8 ¾ by 10 ¼ in.

This portrait of an unknown gentleman may be a view taken at Leckhampton near Cheltenham, Gloucestershire. As a portrait, it is almost unique in Robins’s work and is likely to be of a Gloucestershire landowner. Cathryn Spence has dated it to circa 1740-45.

Thomas Robins was born at Charlton Kings near Cheltenham. Little is known of his early life but he was in Bath by 1760 where he established his reputation as a topographical artist producing views of the city and local grand houses.

He returned to his home county drawing at least two panoramic views of the city of Cheltenham in 1748. One is in Cheltenham Art Gallery and another was sold at Christie’s on 5th June 2007, lot 32 for a hammer price of £26,000 (see John Harris, Gardens of Delight – The Rococo English Landscape of Thomas Robins the Elder, 1978, p.20, pls. 35 and 37).

A view of Sandywell Park a few miles south of Sudeley, dated 30th September 1758 is in an album of drawings by Robins in the Victoria and Albert Museum. Works by Robins are rare – two views by him of Honington Hall were sold at Christie’s on 14th July 1987, lots 135 and 136 for £45,000 and £26,000 respectively.

Robins’s importance is as one of the earliest topographical artists working on paper (or vellum), recording gardens and country houses from 1747 until the late 1760s when few others were doing so. His works are often drawn within a framework of painted intertwining rococo flowers.

John Harris describes him as `an artist who painted English houses and garden when they were most enchanting; whose eye captured the rococo garden at its perfection and when it was most whimsical; whose paintings are almost sensual in the sheer delight they give; such was Thomas Robins the Elder’ (op. cit. above, p.1).

We are grateful to John Harris and Cathryn Spence who is working on a catalogue raisonné on Robins, for confirming the attribution to Robins.

Dimensions

22.2 by 26.3 cm

Price on application





The BADA Standard

  • Since 1918, BADA has been the leading association for the antiques and fine art trade
  • Members are elected for their knowledge, integrity and quality of stock
  • Our clients are protected by BADA’s code of conduct
  • Our dealers’ membership is reviewed and renewed annually
  • Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees
Click here for more information on the BADA Standard