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Six Panel Landscape Screen from Unkoku To-eki School.
Unkoku to-eki school.
Six-panel folding screen paper; Ink, Watercolours, and Gold Leaf.
Edo Period (17th-18th Century).
Width: 372 centimetres x Height: 170 centimetres.
Exhibited at the Manggha Museum, Krakow (2014).
Provenance: The Manno Art Museum, Japan.
This fabulous screen shows the best of the Unkoku school. The anonymous artist must have been well versed in Chinese ink painting with its subdued palette and delicate outlines. This is especially well visible in the parts of the stream and mountains emerging from clouds in the far distance. All this was juxtaposed with a local splash of colours and the Japanese love of gold. Worthy of note is the realism of the plants and birds contrasted with large areas of the painting covered with abstract gold clouds. The irregular placement of the gold foil squares is indicative of the age of the screen.
The distant mountains are adorned with autumnal foliage, whereas camellias, bamboo and snow-clad willow branches evoke winter. It seems like this screen must have had another one to match, depicting spring and summer, thus making a pair. The changing season are a great way to underline the transience of nature and life.
This idea is completed by the birds depicted here, all bearing deep symbolic meaning and complementing the iconographical program of the screen. Perched on the willow tree stump is a kingfisher. These birds breed in winter and are symbol of endurance, but also peace and prosperity. In Japanese art , the heron is one of the symbol of Buddhist purity. Furthermore, because of its habit of standing absolutely still with closed eyes, the heron is an example of meditation for Buddhist adepts.
This particular painting also shows how to ‘read’ a Japanese screen. Typically the composition has three main faces points: the sides and the middle joining (if we are dealing with a pair). The side areas are painted as in close-up, the middle as from a far distance or a high vantage point. We continue reading from right to left according to the Asian custom of writing. Signatures, if any, are placed on the outside panels. This scheme is often used in seasonal landscapes like this one.
Dimensions
170 x 372 cmStock number
2938The BADA Standard
- Since 1918, BADA has been the leading association for the antiques and fine art trade
- Members are elected for their knowledge, integrity and quality of stock
- Our clients are protected by BADA’s code of conduct
- Our dealers’ membership is reviewed and renewed annually
- Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees