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A Royal Chryosprase and Diamond Brooch by Carl Fabergé.

The brooch is centred with a rich apple green chrysoprase of oval form, the cabochon stone subtly faceted to its reverse and bordered with old brilliant-cut diamonds from which radiate openwork diamond-set curving struts alternating with diamond-set berried laurel springs, the whole contained within a diamond-set frame.

Accompanied by fittings allowing the jewel to be worn as a brooch or pendant.

Workmaster: Albert Holmström.
St. Petersburg, circa 1906.
Inventory number: 78974/8.

Contained within its original silk and velvet lined fitted holly wood case, the lid satin stamped in Cyrillic beneath the Imperial warrant ‘Fabergé, St. Petersburg, Moscow, London’.

Provenance:

Her Majesty Queen Olga of Greece.
His Royal Highness Prince Christopher of Greece.
Baron Basile de Lemmerman, (acquired from Prince Christopher 1935-36).
Parke Bernet, New York, 11th December 1952, lot 80.

Queen Olga (1851-1926), consort of George I of Greece (1845-1913), was the daughter of Grand Duke Constantin Nicholaevich of Russia and Grand Duchess Alexandra Iosifovna, born Princess Alexandra of Saxe-Altenburg. George I, son of Christian IX of Denmark, brother of Empress Marie Feodorovna of Russia and Queen Alexandra of Great Britain, became King of the Hellenes in 1863 and ruled Greece until his assassination at Salonica in 1913. Queen Olga, via her consort’s paternal line, is the great-grandmother of His Majesty King Charles III.

Holmström and Fabergé  

The Holmström family were Fabergé’s chief Jewellers. Their atelier was the firm’s longest serving, established by August Holmström for Carl Fabergé’s father Gustav, and later run by August’s son Albert. The Holmströms’ later works, of which this jewel is a distinguished example, are characterised by elegant architectural designs, and an extraordinary lightness of setting whereby extraneous metal is stripped away, and the gemstones almost invisibly secured. The Holmströms shared the honour of making Fabergé’s Imperial Easter Eggs with the firm’s Chief Workmasters.

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The BADA Standard

  • Since 1918, BADA has been the leading association for the antiques and fine art trade
  • Members are elected for their knowledge, integrity and quality of stock
  • Our clients are protected by BADA’s code of conduct
  • Our dealers’ membership is reviewed and renewed annually
  • Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees
Click here for more information on the BADA Standard