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Guijo de Calisteo

Oil on canvas: 24 x 34 cm
Signed

by Tristram Hillier RA (1905 – 1983)

Tristram Hillier was born in Beijing in 1905. He was educated in England at Downside School where his talent for drawing was given great encouragement. He went on to study at the Slade School of Art under Henry Tonks, and later in Paris under André Lhote, and at the Atelier Colarossi. He maintained a rigorous approach to drawing throughout his artistic career.

In France in the 1920s Tristram Hillier became friendly with prominent Parisian artists such as Georges Braque, Max Ernst and André Masson. He became immersed in the ideas of the ever-growing Surrealist Movement in France, and after his return in the late 1920s to England, he became a member of Paul Nash’s Unit One Group in 1933, where he was brought into close contact with the English Surrealist Movement.

Travel was not limited to France – Tristram Hillier spent lengthy periods in countries such as Spain, Portugal and the Balkans, often living alone in these countries for several months; he would then develop his scenes of deserted villages under a raking southern sun on his return to Somerset in the winter months.

Tristram Hillier had his first one-man show in 1931 at the Lefevre Gallery in London, and thereafter continued to exhibit widely in Britain and abroad. He became a Royal Academician in 1957 and a Senior Royal Academician in 1981. Tristram Hillier wrote his autobiography in 1954, Leda and the Goose.

Tristram Hillier’s classical, timeless images, full of steely light and ominous shadows, illustrate a unique vision in the history of modern art.  He died in 1983 in Somerset.

Museums:

Tate Modern London
National Gallery of Scotland
Royal Academy of Arts Collection
Ashmolean, Oxford
Manchester City Art Gallery
National Gallery of Canada
Seattle Art Museum
Art Gallery of New South Wales, Australia

Price on application



Condition report

Very Good

Stock number

4939

The BADA Standard

  • Since 1918, BADA has been the leading association for the antiques and fine art trade
  • Members are elected for their knowledge, integrity and quality of stock
  • Our clients are protected by BADA’s code of conduct
  • Our dealers’ membership is reviewed and renewed annually
  • Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees
Click here for more information on the BADA Standard