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A George III Style Carved Giltwood Mirror.
After a design by Thomas Johnson.
Of grandiose proportions, the central oval glass plate built up in a concentric arrangement of mercury plates surrounded by an ornately carved giltwood frame incorporating a medley of C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures; the whole crescendoing to a figure of a musician above an arrangement of musical instruments and an outer frame having carved Classical urns, and fantastical Ho-Ho birds.The present mirror closely follows the original illustration of Thomas Johnson's design for a mirror published in his "Collection of Designs" (1758) as plate 7, and republished in his "One Hundred and Fifty New Designs" (1761) as plate 8. Typical of Johnson's designs, this mirror includes various fauna such as dogs, wolves, and sheep, as well as branching foliage and architectural elements.
Circa 1870.
Thomas Johnson (1714-1778)
A highly talented carver & later, designer, and a contemporary of Thomas Chippendale & Matthias Lock, he published to great acclaim in 1755 'Twelve Girandoles', and followed this with, in 1756, '53 Designs', and between 1758 and 1759, 'A Collection of One Hundred and Fifty Designs'. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work, and Johnson, a founder member of the 'Antigallican Society', a group who excoriated the French taste.
Dimensions
H: 115 in / 292 cm | W: 62 in / 157 cmCondition report
ExcellentStock number
9020The BADA Standard
- Since 1918, BADA has been the leading association for the antiques and fine art trade
- Members are elected for their knowledge, integrity and quality of stock
- Our clients are protected by BADA’s code of conduct
- Our dealers’ membership is reviewed and renewed annually
- Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees