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Rectangular white statuary marble inkstand with elaborate gilt bronze mounts applied to the sides backed by red velvet. The surface has three ink containers with ormolu lids and a cut out valley for the pens, resting on ormolu turned bun feet.

Daguerre:

The ormolu frieze is considered by Pierre Verlet to have been the property of the marchand-mercier Daguerre who was known to have employed Remond to make them.  Peter Hughes illustrates a work table in the Wallace Collection, No. 218, as an example of the frieze used by Weisweiller.  Daguerre also used these mounts on a lacquer secretaire made for the King at Versailles in 1784 and also on a pair of secretaires and commode made for the King of Naples in 1790. The King of Naples then commissioned a lacquer roll top desk using the same mounts in 1792. 

There is an identical inkstand, but 1 cm smaller both in width and height, at the

J. Paul Getty Museum, illustration 187 in the Summary Catalogue of European Decorative Arts.

Literature:

Bremer-Davi, Summary, No. 181, p 109, illus.

Another identical inkstand was commissioned by Count Nikolai Sheremetev who built Ostankino, outside Moscow, between 1792-93 enlarged 1796 and 1798. He filled it with both Russian and French decorative pieces.

 

 

 

 

Dimensions

19 x 10 x 3.5 in high (48 x 25 x 8.5 cm)

Price on application





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The BADA Standard

  • Since 1918, BADA has been the leading association for the antiques and fine art trade
  • Members are elected for their knowledge, integrity and quality of stock
  • Our clients are protected by BADA’s code of conduct
  • Our dealers’ membership is reviewed and renewed annually
  • Bada.org is a non-profit site: clients deal directly with members and they pay no hidden fees
Click here for more information on the BADA Standard