The BADA is delighted to introduce the new ‘Meet the Dealer’ series. Get to know the people and personalities that make the BADA, as we delve into their businesses, passions, and insights on buying and collecting. Through a series of interviews, we uncover their stories and discover what drives them in the world of art and antiques.
The BADA is delighted to introduce the new ‘Meet the Dealer’ series. Get to know the people and personalities that make the BADA, as we delve into their businesses, passions, and insights on buying and collecting. Through a series of interviews, we uncover their stories and discover what drives them in the world of art and antiques.
Mark Goodger
Mark Goodger Antiques
With grateful thanks to Laura Bordignon of Laura Bordignon Antiques.
The art form known as Shibayama become very popular with the feudal daimyo lords and the wealthy merchants during the rule of Tokugawa Ienari (1773-1841) the eleventh shōgun of the Tokugawa shogunate of Japan.
The Makers Series: John Speed
One of the finest cartographers and historians of the Elizabethan era, John Speed’s work influenced generations and helped unite our disparate regions by establishing the notion of a British national identity.
Although contemporary records are unclear, it is said that Speed was born in the village of Farndon, Cheshire in 1551 or 1552. It is thought that his mother died in childbirth or shortly after, since his father, also John Speed, is understood to have remarried by 1556.
Satsuma ware is a style of Japanese pottery that originated in Satsuma Province in the most southerly of Japan’s four main islands, Kyūshū. However, the roots of the trade stem from the feudal Lord Toyotomi Hideyoshi’s invasion of the Korean peninsula between 1592 and 1598.
Toyotomi enjoyed early success against the Korean armed forces and was able to capture several leading makers of the highly regarded Korean ceramics trade. These master potters were taken back to Japan where they essentially founded the ceramics industry in Kyūshū.
A tantalus is a small cabinet designed for housing a set of cut-glass spirit decanters, usually constructed from exotic woods such as mahogany, walnut and coromandel. The cabinet’s most distinguishing characteristic is a locking mechanism, installed to protect one’s alcohol from the temptations of servants or younger members of the family.
2024 is the Year of the Dragon!
With grateful thanks to BADA member Kevin Page Oriental Art.
The Chinese Zodiac calendar assigns one of the five elements of Metal, Water, Wood, Fire and Earth to each year. The complete cycle takes 60 years to complete and this year we are entering the Year of the Wood Dragon.
The British Antique Dealers’ Association is delighted to announce that BADA Member Simon Myers, of R N Myers & Son, Gargrave, North Yorkshire, has recently completed the sale of a rare early 18th century leather portrait of Louis XIV to The Museum of Fine Art in Houston.
This Thursday is Burns night when we celebrate the life of Scotland’s finest poet, Robert Burns. In honour of the legendary poet our subject this week is a staple part of any traditional Scottish celebration, the quaich.
Derived from the Gaelic word cuach, meaning a cup, a quaich is a shallow two handled drinking vessel, traditionally used for whisky or brandy. Given its Gaelic origins, it is hardly surprising that the first known use of the quaich was amongst the clans that inhabited the Highlands and Islands to the far north and west of Scotland.
With grateful thanks to BADA member David Buck of Steppes Hill Farm Antiques.
In December 1822, Sampson Mordan and his co-inventor John Isaac Hawkins filed the first patent (Pat No 4722) in Great Britain for a metal pencil with an internal mechanism for propelling the graphite "lead" shaft forward during use.
From the Plate to the Palace: The story of the humble Carp.
With grateful thanks to BADA member Kevin Page Oriental Art.
One of the most gifted and popular landscape artists of his era, Benjamin Williams Leader (1831-1923) made his reputation capturing a rural idyll rapidly disappearing amid the relentless onslaught of the industrial revolution.
Born in Worcester, Benjamin was the third of eleven children born to civil engineer Edward Leader Williams and his wife Sarah. A keen amateur artist and collector, Edward organised an exhibition of Modern British Art at the Worcester Atheneum in 1934, which would have a lasting impact on his young son.